Delores Del Rio in 'Ramona' (1928). Photo Courtesy Marc Wanamaker/Bison Archives.

Courtesy Marc Wanamaker/Bison Archives

Delores Del Rio in 'Ramona' (1928). Photo Courtesy Marc Wanamaker/Bison Archives.

Recovered and Restored: ‘Ramona,’ Silent Movie by Chickasaw Filmmaker

The recently restored 1928 version of Ramona had its world premiere on March 29 in Los Angeles. Based on a weepy, once-popular novel by Helen Hunt Jackson, Ramona tells the story of a mixed-race (Scottish and American Indian) girl who is raised by a Mexican family and suffers racial discrimination. The 1928 film version features internationally acclaimed Mexican actress Dolores Del Rio in the title role and non-Native actor Warner Baxter as her ill-fated Indian husband Alessandro.

The lead actors may not have been racially authentic, but the man in the director’s chair was certainly well suited to the material: Edwin Carewe, a Chickasaw filmmaker who directed dozens of films in the silent era.

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“Most people don’t realize that Edwin was an American Indian,” says Diane Allen, granddaughter of Carewe. Allen’s grandmother was actress Mary Aiken, who had married Carewe twice, in 1925 and 1929. “Even though he didn’t make films portraying Indians, he chose movies and cast roles that promoted the underdog, especially the female character,” Allen adds.

Ramona has been performed on stage annually since 1923 in Hemet, California — the website of the Ramona Bowl Amphitheater touts the play as both “America’s longest running drama” and the “Official California state outdoor play.” Carewe’s film was the third screen version of Jackson’s novel; the movie is silent with a running time of approximately 80 minutes.

Tinted still from 'Ramona' (1928) with Dolores Del Rio and Warner Baxter. Photo Courtesy Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

Tinted still from 'Ramona' (1928) with Dolores Del Rio and Warner Baxter. Photo Courtesy Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

 “I think he’s underappreciated,” Allen says of her grandfather. “Really, he was a bit ahead of his time. He was obsessed with the female character and women in general.”

Carewe is known as the director who discovered actress Dolores Del Rio in Mexico and convinced her to move to Hollywood. He was hoping to transform Del Rio into a star to match the appeal of silent screen “Latin Lover” Rudolph Valentino. 

“[Carewe] had a passion for women and their beauty and their talent,” Allen says by phone from her home in Los Angeles. In fact, Del Rio made at least seven pictures with the director.

Edwin Carewe’s real name was Jay Fox, and he was born in Gainesville, Texas, in 1883 and died in Los Angeles in 1940. His brothers Finis (1881-1949) and Wallace (1885-1958) were both accomplished Hollywood producers and screenwriters. All three brothers appear on the 1907 Chickasaw rolls of the Five Civilized Tribes.

Today, few are aware of Carewe’s rather prolific Hollywood career. According to Imdb.com, he directed 58 films, produced 20, acted in 47, and wrote screenplays for four. Older brother Finis had written Ramona’s screenplay and created its intertitles.

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But for decades, Ramona was thought to be lost until archivists rediscovered it in the Národní Filmový Archiv in Prague. (Studios distributed their movies overseas, and many have since surfaced in Eastern Europe’s hidden vaults.) The Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress later transferred Ramona’s highly flammable original nitrate print to acetate safety stock. 

Edwin Carewe in 1928. Photo Courtesy Marc Wanamaker/Bison Archives.

Edwin Carewe in 1928. Photo Courtesy Marc Wanamaker/Bison Archives.

The job of translating the Czech intertitles into English was especially challenging. “To us, the key was trying to get the [English] words back in there,” says Rob Stone, the Library’s Moving Image Curator.  He adds that Ramona “is a downer of a story, but it’s a great movie.”

The UCLA Film & Television Archive will premiere Ramona in its Billy Wilder Theater with live musical accompaniment by the Mont Alto Motion Picture Orchestra.  The Archive’s Head of Public Programs Shannon Kelley says the opportunity to screen Carewe’s restored film at UCLA “represents a tremendous honor.”

Visit edwincarewe.com for more information on Carewe’s life and career. 

Spanish language poster from 'Ramona' (1928). Photo Courtesy Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

Spanish language poster from 'Ramona' (1928). Photo Courtesy Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

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